Robert Eggers’ Viking blockbuster has already been hailed by white nationalists keen to exploit European mythology. Can Hollywood tell historical tales without unwittingly appealing to toxic ideologies?
At the London premiere of The Northman in early April, the director, Robert Eggers, explained on stage how he was seeking to reclaim Viking history from rightwing groups. Many of these groups thrive on myths of an imagined European past: a time before racial mixing or progressive politics, when men were mighty warriors and women were compliant child-bearers.
As Eggers told the Observer recently, such associations almost put him off making The Northman. “The macho stereotype of that history, along with, you know, the rightwing misappropriation of Viking culture, made me sort of allergic to it, and I just never wanted to go there.” Eggers has spoken of his scholarly research and commitment to getting Viking history right, down to the smallest details. But as rigorous and accomplished as The Northman is, it might in fact be the kind of movie the “alt-right” loves.
