As they prepare to bring the mesmerising How It Is to London, the actors reflect on performing a text with no character and no punctuation
Two men are meeting on Zoom, as they have done twice a week for the past two years. One of them is in northern France, his cottage bathed in bright spring sunshine, two portraits of a craggy Samuel Beckett behind him. The other is in a chilly Sussex, his window casting a dull grey light.
The first starts to recite. “Before Pim long before with Pim vast tracts of time,” he says. “A few traces that’s all seeing who I always.”
