‘Acting was important – but I can’t deny that Peter Weller’s chin was one of the main reasons we cast him’
Initially, I rejected the script because it was so different from what I’d been doing in the Netherlands. Later, on set, I was helped enormously by having one of the screenwriters, Ed Neumeier, with me at all times, preventing me from doing stupid stuff. There were so many moments where I could’ve gone wrong. In the script, somebody would say, “Hey brother”, and I would ask, “Who is the brother?”
