A disco king hits the dancefloor, Beatrice and Benedick’s romcom gets a feminist framing and Lear faces dystopia as the revered rep company returns in full force
Drive west of Toronto for over an hour, beyond a hamlet called Punkeydoodles Corners, and you reach the village of Shakespeare, with a pie shop and truck centre bearing the Bard’s name. Up the road lies Stratford, an affable town where Romeo Street leads you to the banks of the river Avon (pronounced, unlike its English cousin, with a short A).
Here, 70 years ago this month, the inaugural Stratford Shakespearean festival took place beneath a leaky canvas tent roof, with Alec Guinness holding court in Richard III and All’s Well That Ends Well, both directed by Tyrone Guthrie over a six-week season. It almost didn’t happen: a black hole in the finances meant an emergency meeting was held the day before Guinness set sail to determine whether he should bother making the journey.
