Stone gives a hilarious, beyond-next-level performance as Bella Baxter, the experimental subject of a troubled Victorian anatomist, in Lanthimos’s toweringly bizarre comedy
That cooing note of kindness and pity in the title is misleading – in fact, there is pure vivisectional ruthlessness in this toweringly bizarre epic. Poor Things is a steampunk-retrofuturist Victorian freakout and macabre black-comic horror, adapted by screenwriter Tony McNamara from the 1992 novel by Alasdair Gray and directed by the absurdist virtuoso Yorgos Lanthimos. Lanthimos shows us an extraordinary, artificial, contorted world, partly shot in monochrome, sometimes bulging out at us through a fish-eye lens, elsewhere lit from within in richly saturated tones, like an engraved colour plate.
And his leading lady is someone who takes it to the next career level, or the level beyond the next level: Emma Stone. She gives an amazing and hilarious performance as the sexual-innocent primitive Bella Baxter, the secret experimental subject and ward of charismatic, troubled anatomist Dr Godwin Baxter (whom she calls “God”), played by Willem Dafoe. Bella’s beady gaze under a near-monobrow takes everything in, while she makes what sense she can from the brave new world with which Dr Baxter has surrounded her.
