Responding to police brutality, hard labour and the threat of nuclear war, members of Sepultura, Holocausto and more explain their decidedly anti-tropical music
Heavy metal has always revelled in its us-against-the-universe attitude, remaining steadfast in the face of hostility and outright ridicule; its bands were often born in the shadow of industrial decline, recession or the cold war. Few, though, can claim to have faced the struggles of Brazil’s early extreme metal acts, as their country emerged from a 21-year military dictatorship where poverty, torture and hopelessness were the norm.
“The Brazil of girls and coconuts and paradise beaches existed, but not in our reality,” says Max Cavalera of Sepultura, who remain the country’s most famous heavy metal export. “Our Brazil was dirty and grey and all it offered was crime, drugs or fucked-up factory jobs. We wanted music that made sense to us as young, pissed-off Brazilian kids.”
