From Triangle of Sadness and Parasite to The Maid, audiences are revelling tales of inter-class violence that draw on growing discontent at inequality
A luxury berth on a superyacht might seem a good place to unwind. But cinema audiences will feel rather differently about the appeal of this sort of private cruise after watching Triangle of Sadness, the top prizewinner at the Cannes film festival.
One nasty, graphic scene, which features the copious vomit and diarrhoea of high-net worth passengers, drew whoops and gasps from the crowd at its premiere on the French Riviera, and then again at the annual film festival in Toronto last week, ahead of its release in British cinemas next month.
