Great fun is had in giving us the backstory to the assassin’s place in the Marvel Cinematic Universe
The sensuous cough-syrup purr of Scarlett Johansson’s voice is something I’ve missed in lockdown; now it’s back with a throaty vengeance in the highly enjoyable standalone episode for which her character Black Widow was well overdue. It is co-written by WandaVision creator Jac Schaeffer and directed with gusto by Cate Shortland, with touches of Terminator 2 and Mission: Impossible but undoubtedly keeping the tonal consistency of a typical MCU melodrama.
This movie gives us the backstory to Black Widow’s presence in the Marvel Cinematic Universe, involving an origin-myth tale of family trauma, identity crisis and sibling rivalry with a pugnacious kid sister, Yelena, entertainingly played by Florence Pugh. Yelena can’t help mocking – but also maybe envying – Black Widow’s balletic fight stance which involves absurd posing and resembles the mane-tossing antics of a woman in a shampoo advert.
