Janette Beckman has spent four decades documenting underground movements from London’s punks and the birth of hip-hop to LA gangs and illegal girls’ fight clubs. How does she win her subjects’ trust?
It was the tension between Janette Beckman’s shyness and her curiosity about people that helped spark a career photographing subcultures. “I realised that having a camera gave you licence to go up to strangers and say, ‘Hi, I’d like to take a picture of you,’” she says. This epiphany jump-started a 45-year adventure in street photography, documenting the punk and two-tone youths of 70s Britain, the birth of hip-hop in New York, Latino gang members in Los Angeles, bikers in Harlem, rodeos, rockabilly conventions and demonstrations from Occupy Wall Street to Black Lives Matter.
As we talk on a video call, 62-year-old Beckman gives me a tour of her home studio in New York, just off the Bowery where the famous punk venue CBGB used to be. There’s a Salt-N-Pepa snowboard, a Keith Haring painting and gold discs from hip-hop stars Dana Dane and EPMD. On one strip of wall hang a selection of images from Occupy Wall Street in 2011, “for a book,” she says. And on another are pinned a vast selection of her images, for her monograph Rebels: From Punk to Dior.
