Andreas Fontana’s debut feature is an unnervingly subtle drama about a Swiss private banker visiting clients in Argentina during the period of the military junta and ‘disappearances’
Pure evil is all around in this unnervingly subtle, sophisticated movie; an eerie oppression in the air. Andreas Fontana is a Swiss director making his feature debut with this conspiracy drama-thriller, shot with a kind of desiccated blankness, about the occult world of super-wealth and things not to be talked about. The title is a Swiss banker’s code-word in conversation for “Be silent”.
It is set in 1980 in Argentina, at the time of the junta’s dirty war against leftists and dissidents, and you could set it alongside recent movies including Benjamín Naishtat’s Rojo (2018) and Francisco Márquez’s A Common Crime (2020), which intuited the almost supernatural fear among those left behind when people they knew had vanished and joined los desaparecidos, the disappeared ones. But Azor gives a queasy new perspective on the horror of those times, and there is even a nauseous echo of the Swiss banks’ attitude to their German neighbours in the second world war.
