In August 2020, the Guardian spoke to workers in the live music industry who had their livelihoods destroyed by Covid. How are they faring in 2022?
Eighteen months ago, Tre Stead was in hospital; now she’s on Coronation Street. As Frank Turner’s tour manager, back then she was one of six people the Guardian spoke to about how the shutdown of the live music industry had affected their lives. But now, with Covid restrictions relaxed and gigs allowed to happen as if the pandemic doesn’t exist, have they all returned to work? Yes, but not necessarily in ways anyone expected.
Live music is back and bigger than ever. Artists such as the Weeknd and Harry Styles, who were originally going to play arenas, have rebooked their tours for stadiums, while major names such as Dua Lipa and Billie Eilish are beginning their delayed runs. There’s more work than ever before. But some tours – including Frank Turner’s – have been postponed in recent weeks, and new Covid variants mean that live music remains a horribly uncertain industry. Aerosmith cancelled their summer European tour last week, citing “uncertainty around travel logistics and the continued presence of Covid restrictions”, and Doja Cat cancelled her Brit awards performance due to a member of her team contracting the virus.
