Jannis Stürtz has trawled Casablanca and rooted around a factory in Sousse for music. The Habibi Funk founder talks about his passion for Tunisian disco, Sudanese jazz and Lebanese soft rock
Not long ago, Jannis Stürtz was at home in Berlin, checking the Instagram and Twitter pages for his record label, Habibi Funk. The former has 75,000 followers, testament to the treasure trove of information about “eclectic sounds from the Arab world” the feed contains: DJ mixes, old photos, posters, potted artist biographies, material that frequently goes beyond the stated remit and takes in visual art, film and sports – the story of Sudan’s first female football referee alongside stuff about 1950s architecture in Casablanca and clips of the latest fruits of Stürtz’s record-shopping expeditions in the area. But one new name among the followers stood out: “Drake started following the Habibi Funk Twitter feed,” says Stürtz, in delighted tones. “Cool! I mean, that doesn’t make sense in my head, but cool!”
