The I May Destroy You star talks about politics; his great friend Michaela Coel; dealing with drama school racism; and why even as a leading man he still struggles with self-confidence
Paapa Essiedu greets me at his local caff in London. He has a cold drink in his hand, and a bag featuring Basquiat-style daubings hangs over one shoulder. Essiedu is wearing huge shades, black nail varnish, a designer T-shirt that translates Jamaican patois into the Queen’s English, an open shirt and the coolest two-tone raincoat you’ve ever seen. He seems eye-poppingly confident.
And so he should be. Essiedu is establishing himself as one of the finest actors of his generation. His punk, graffiti-artist Hamlet for the Royal Shakespeare Company was unforgettable, not least for his astonishing, tearful delivery of the “To be or not to be” soliloquy. He was heartbreaking as the hook up-addicted rape victim Kwame in Michaela Coel’s brilliant TV drama I May Destroy You, and complex in Jack Thorne’s Kiri, which dealt with the abduction of a black child from her white adoptive family in Bristol. As reporter Ed Washburn in the TV series Press, he constantly kept you guessing – is he too noble for the scuzzy world of the tabloids or the most unscrupulous of the lot? Essiedu has a rare suppleness as an actor, both verbal and physical, that keeps him one step ahead of his audience. Now he’s starring in Sky’s existential sci-fi thriller series The Lazarus Project as a regular fella who discovers he has the ability to turn back time. Essiedu gives another beautifully nuanced performance. As George, he is bewildered, soulful and utterly believable, anchoring both the premise and the series.
