With the release of Magic Mike’s Last Dance, Guardian writers argue why their Steven Soderbergh pick is better than the rest
At the age of 26, Soderbergh conquered Sundance, won the Palme D’Or at Cannes and changed the indie film business forever – not bad for a first try. Having a killer title like sex, lies and videotape certainly raised eyebrows, but Soderbergh’s debut not only delivered on its seductive promise, but seemed to understand where human relationships might be headed in a future where the camera can act as a diary, a mediator and a tool for eroticism.
