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Only the second woman to win the prestigious Palme d’Or, the French director behind Raw and new film Titane discusses the boom in female-led horror and how she’s terrified of being booed
“When I see a stereotype,” says French director Julia Ducournau, “I try to kill it.” She certainly did that in July by winning the top prize at the Cannes film festival. The most revered and exalted award in cinema, a world away from the erratic glossiness of the Oscars, the Palme d’Or tends to honour films that both further the language of cinema and shed light on the loftier questions of earthly existence. You expect humanism, seriousness, perhaps a dash of difficulty. What you don’t expect is in-your-face sexuality, serial slaughter, a ferocious, electrically coloured techno-metal aesthetic – and radical DIY nasal surgery.
But that’s what you get in Ducournau’s Titane – only the second Palme d’Or winner by a female director, the first being Jane Campion’s shared win with The Piano in 1993. Her win, says Ducournau in transatlantically inflected English, “was incredibly powerful to me. Through this prize, a lot was happening. It took 28 years [since Campion’s win] and I believe it’s not going to take 28 years again.” She points to 2021’s award successes for women – Chloé Zhao at the Oscars with Nomadland, Venice winner Audrey Diwan (Happening), Romania’s Alina Grigore in San Sebastián (Blue Moon). “That can’t be looked past. Women kicked serious ass this year.”
