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National Gallery, London
The strange creatures, saints and distant landscapes depicted by the great German artist are thrown together with the work of lesser painters in a show that veers between wondrous and inexplicable
Albrecht Dürer (1471-1528) was the most intrepid traveller in the history of art. From his home city of Nuremberg he crossed the Alps more than once in treacherous conditions, staying in icy mountain shelters. The ship on which he sailed for six days to see a beached whale in Zeeland was almost lost in a winter storm. He lived in Venice in times of cholera, and possibly picked up malaria on a trip to the Low Countries where he was astounded by Aztec gold in Brussels and the Van Eyck altarpiece in Ghent. And all of these journeys were undertaken during outbreaks of the plague.
His travel journals are full of astonishing sights – soaring comets, conjoined twins, the bones of a giant (which in fact belonged to a whale). He sees, and draws, girls in Dutch costume, Turkish merchants, African women. Boats lie at low tide in the port of Antwerp, fantastical castles rise on pinnacles above the river Rhine. There is a sheet of magnificent sketches of dozing lionesses, a blue baboon and even an alarmingly sharp-eared lynx in the new zoos of the Low Countries.
