When the pair sampled Lebanese singer Dunya Younes for their groundbreaking album My Life in the Bush of Ghosts, they assumed the original recording was cleared. Four decades on they all meet up to find out the real story
In early 1970s Lebanon, a young singer from a hill town north of Beirut was on the up. Before the civil war in 1975, the capital was the Arab world’s thriving artistic centre, where folk-dance traditions were reaching new heights. There, Dunya Younes was a rising star, appearing in musicals and collaborating with pillars of Lebanese music such as Zaki Nassif and Wadih el Safi. You can still hear her signature song Waynak Ya Jar – about having a morning coffee with your neighbour – on Lebanese radio today.
Younes later became known far beyond the Middle East – or at least her voice did after it was used on one of the most influential experimental albums of the 80s. But to its fans she was known as “the Lebanese mountain singer”. And she had no idea about it.
