As the singer for pioneering all-female band the Go-Go’s, Carlisle took on a sexist music industry – at a cost. She talks about overcoming addiction, the media’s obsession with her weight and finding happiness in her 60s
It hardly matters – who really cares about these things? – and yet it does. This year the Go-Go’s will be inducted into the Rock & Roll Hall of Fame, and earning a place at the museum in Cleveland, Ohio, for all its naffness, is still a mark of influence and recognition. “I always said: ‘Fuck them, I don’t care,’” says Belinda Carlisle, the band’s lead singer. “But when it actually happens, it’s: ‘Oh, this is not so bad.’”
The Go-Go’s have had a reappraisal in the past year, thanks mainly to a documentary by the film-maker Alison Ellwood. It tells the story of how these scrappy young LA punks put together a band (the lineup shifted until arriving at the current five members) and made history – incredibly, they are still the only female band who write their own music and play their own instruments to have reached the top of the US album charts. That was in 1982. As with many female artists, belittled for years by the male-dominated music industry and press, the recognition feels long overdue.
