Pub Choir is founded on the principle that everyone can sing and that it feels good, especially when done in large groups with added alcohol
I am sitting on the edge of a crowd of several thousand people gathered at Riverstage in Brisbane, and suddenly I’m feeling very nervous. I am about to be part of the latest (and, so far, biggest ever) live rendition of Pub Choir, and the legendary Barry Gibb, the sole survivor of the Bee Gees – who began their performing careers here in Pub Choir’s birthplace – is appearing on a screen above the stage.
He tells us the song we’re about to sing is their early hit To Love Somebody, and he promises “it’ll be about as easy as it was in 1967 for me”, but that he’s sure it will sound wonderful. I am less convinced – or at least, am unsure I can get even close to the orchestral pop classic’s complex melody, let alone pitch. Fortunately, I’ll be drowned out by everyone else, which is (a) merciful and (b) the whole point, but all I can think is that this is going to be a disaster.
