At the world’s biggest barrel of laughs, Hannah Gadsby, John Kearns and Rose Matafeo rub shoulders with homegrown stars-in-the-making. Our writer has the time of his life
What’s the biggest comedy festival in the world? Parochial Britons would say Edinburgh. Internationalists may consider Montreal’s Just for Laughs. They would all be wrong. Just for Laughs is out of the running: it filed for bankruptcy protection earlier this year, its future in doubt. And the Edinburgh fringe is a performing arts festival not just comedy. So for now, if only on that technicality, Melbourne has the biggest comedy festival in the world: a three-week carnival of standup, sketch and beyond, dedicated to nothing but the art of making people laugh.
In 20-plus years writing about comedy, I had never been – until now. But I have felt its influence. Twice recently, the winner of its most outstanding show award went on to win the Edinburgh equivalent. One was Hannah Gadsby’s Nanette, arguably the most significant standup set of the last decade, which launched in Melbourne before conquering the world. And as recently as 2022, a former Melbourne champ – recent Taskmaster star Sam Campbell – won Edinburgh’s top prize, of which Australia has now provided more winners than any other non-UK country. The festival also played a weathervane role in the “trans debate”, when its main award – for years known as the Barry, after Barry Humphries – was re-named after the Dame Edna star’s divisive comments about transgender people.
