The world’s greatest classical music festival is back. From landing on Mars to the life of a beehive, Thomas Adès, Mark-Anthony Turnage, Jennifer Walshe and others tell us about the work they’ll debut there
Tell us about your Proms piece … I wrote Time Flies three years ago, in what seems a more innocent era. It was a reaction to getting older. Having grown up in the 1960s, I have, like many people, a nuclear anxiety, which in my case was bolstered by fear of the armageddon from my Pentecostal upbringing. Being told every day of your childhood you were going to burn for eternity unless you repented your sinful ways tends to breed fear and a deep dread. I still have apocalyptic nightmares. They fuel my music, which tends to be pretty pessimistic. Add the climate crisis into the mix and I don’t see much of a future for our children unless they all rise up and defeat the toxic masculinity and corruption that’s destroying our world. But I would never presume to tell a listener what to get out of my music. I would just be grateful they were listening at all. Sadly, I’m not convinced any of us will be around for much longer to hear it.
