This adaptation of Kate Atkinson’s novel about a woman who keeps on dying and being reborn is so full of grief it can feel overwhelming – but the anguish is irresistible
Ursula Todd can’t stop dying. That’s the premise of this devastating drama, a four-part adaptation of Kate Atkinson’s 2013 novel, which documents its protagonist’s many demises – each as distressing as the last. Born to a wealthy middle-class family in 1910, Ursula dies almost instantly, strangled by her umbilical cord. But, then again, she survives – a fact relayed to us by Lesley Manville’s equanimous narrator. It’s a pattern that repeats throughout Ursula’s many comfortable childhoods: there’s a drowning incident, a fall out of a bedroom window, multiple battles with Spanish flu. And then, suddenly, she is back, being born, and doing it all over again – but this time with self-protective instincts she can’t quite account for. It’s The Butterfly Effect meets Groundhog Day (or rather “Groundhog Life”), only with none of the latter’s droll cosiness.
There’s not a huge amount to laugh about in Life After Life (BBC Two). The show’s main priority is apparent from the start: making people cry. If you like the feeling of being overwhelmed by vicarious trauma and grief then you’re in for a treat. And the anguish is thoroughly addictive. It’s what makes Life After Life incredibly compelling, binge-worthy even, despite being practically plotless from one episode to the next.
