A gig worker turns to credit card fraud in a tense debut feature with an electrifying central performance
It’s hard to really blame Emily (Aubrey Plaza) for choosing a life of crime. A low-paid service gig brings nothing but stress. A seemingly inescapable student loan is gathering interest by the day. A couple of minor, years-back criminal charges have closed off a world of employment. It’s a familiar predicament that plagues many in America and even though first-time writer-director John Patton Ford might only show it in the broadest of strokes, it’s an effectively infuriating set-up.
When Emily is offered an opportunity for an extra income, she nervously inches down the rabbit hole. It starts off simple. She’s given a cloned credit card and has to buy a TV. She then takes it to her new bosses and gets paid $200. It’s easier than she anticipated and soon she’s doing it on the regular, edging closer to taskmaster Youcef (Theo Rossi) who slowly becomes more than her mentor. But how far is she willing to go?
Emily the Criminal is showing at the Sundance film festival with a release date to be announced
